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Quoting Title and Code number
| La Vie Parisienne
Was one of the more famous and well-known of specifically Parisienne magazines. Originally intended as a guide to the privileged social and artistic life in the French capital, it soon evolved into a mildly risqué publication in which illustrations of scantily clad damsels abounded. It was all done in very good taste though it had more than its fair share of detractors. General Pershing for one is said to have personally warned American servicemen against purchasing the magazine for little good that would have done. La Vie Parisienne' was also banned in certain countries such as neighboring Belgium for instance, though in war-time it appeared that such silly regulations were not always adhered to.
The covers listed below are all genuine and are in very good condition.
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Further Information.
Chéri Hérouard.
Chéri Haumé, best known as Chéri Hérouard, was born in Rocroi. His grandfather was a printer, and his uncle published Le Narrateur. Chéri's father was killed by a hunting accident shortly after his birth, and his mother remarried to a certain Herouard, a direct descendant of Louis XIII's doctor. Chéri Herouard's first printed artwork appeared in Le Journal de la Jeunesse in 1902, soon followed by publications in Mon Journal.
Hérouard stood out for his fairytale characters, and was also a pioneer in the comics format. In the following years, Hérouard also worked for La Semaine de Suzette and Petit Journal de la Jeunesse, before he began a collaboration with La Vie Parisienne in November 1907. For Pierrot, he drew 'Gil Blas de Santillane' (1949), 'Tambour Battant' (1950) and 'Le Capitaine Eclair' (1951). He worked for this magazine until 1952.
Georges Leonnec.
Georges Leonnec was the son of French illustrator and navy officer Paul Leonnec and the brother of writer Félix Léonnec. Léonnec was born in Brest, and worked as an artist/illustrator for such magazines as Le Rire, Le Sourire, La Vie Parissienne and L'Illustration, since 1899. He also illustrated advertisements for companies like Renault, Daimler and Byrrh, and designed the Casino de Paris and Folies-Bergère.
George Barbier (1882 - 1932) was one of the great French illustrators of the early 20th century. Born in Nantes France on October 10, 1882, Barbier was 29 years old when he mounted his first exhibition in 1911 and was subsequently swept to the forefront of his profession with commissions to design theatre and ballet costumes, to illustrate books, and to produce haute couture fashion illustrations. For the next 20 years Barbier led a group from the Ecole des Beaux Arts who were nicknamed by Vogue "The Knights of the Bracelet"
a tribute to their fashionable and flamboyant mannerisms and style of dress. During his career Barbier also turned his hand to jewellery, glass and wallpaper design, wrote essays and many articles for the prestigious Gazette du bon ton. In the mid 1920s he worked with Erte to design sets and costumes for the Folie Bergere and in 1929 he wrote the introduction for Erté's acclaimed exhibition and achieved mainstream popularity through his regular appearances in L'Illustration magazine. Barbier died in 1932 at the very pinnacle of his success. |